Years ago, I viewed a major exhibition of Egon Schiele's paintings and drawings at MoMA. Photographs of his work in Art History 101 had not prepared me for the nuances of Schiele's startling imagery.
Standing in front of his large canvasses, bits of contrasting colors, scrumbled lines and underpainting became abundantly clear. Even Schiele's finished paintings have a mosaic-like drawn quality that I found quite appealing.
These were not erotic in the sense of being titillating, but were rather illuminating, as one realized Schiele's masterful draughtsmanship, sense of color and love of form.